Merger of Live Nation and Ticketmaster – the Two-Headed Monster

According to Paste Magazine:

“The merger of two of the music industry’s most powerful juggernauts—Live Nation and Ticketmaster—has been in the works for nearly a year, but it wasn’t until late last week that the concert promoter and ticketing giant received their shareholders’ approval to merge. Still holding up the merger is the U.S. Justice Dept.’s negotiations with the two companies over possible violations of U.S. antitrust laws.

Shareholders may have given the go ahead to both companies, but the merger cannot go through without approval from the Justice Department. All three parties have been negotiating a deal—so far with no real progress. Reports say that the Justice Department wants Live Nation and Ticketmaster to make a number of compromises to ensure that this merger—between the world’s largest concert promoter and the world’s largest ticketing group—would not create an all-powerful monopoly in the industry.”

I know I’m disappointed because whether it’s technically a monopoly or not, the options to buy tickets in any other way is fast becoming as rare as [insert some apt, witty example of rapidly-declining trend].  I often get excited about a reasonably priced-show until I realize a $12 ticket price will soon be bombarded with handling fees, venues fees, fees for such-and-such’s cousin frank who is somehow  involved twice-removed with the ticket process somewhere…  For the music industry, who as a whole has realized much like the rest of the country, that they can no longer rise above such a stagnated economy, they sure are finding even more ways to alienate their customers.

Butterfly Boucher

I’ve liked Butterfly Boucher for quite some time now, starting with her first album “Flutterby” released in 2003.

One of the singles off this release:

She finally released a follow-up in 2009 called Scary Fragile. Check out her awsome acoustic performance hosted by PASTE Magazine. What I really enjoy about her is her voice has this really unique quality to it. The guitar sounds pretty different as well.

Here are two songs from the recent album culled from the same Boston show as the above clips:

Gun For a Tongue:

Scary Fragile:

 

Colin Hay: Man Down Under

Paste Magazine has a great website with a listen and watch section hosting audio and video for some very talented musicians.

Check out Colin Hay at their studios: http://www.pastemagazine.com/blogs/av/2009/10/watch-colin-hay-live-at-paste.html

Colin Hay is mostly infamous for the band he once was part of: Men At Work.

After the band went defunct, however, Hay continued on the solo path, releasing several well-received albums. His music has been featured in films and tv, but arguably one of my favorite songs and appearances of his was when he sang his song “overkill” in an early season of Scrubs:

His song ” I just don’t think I’ll ever get over you” was featured on the Garden State Soundtrack: